Former bandmates of the late Steve Marriott unite to oppose plans by the Marriott Estate to release "new" recordings created with AI technology. A growing list of musicians in opposition include: Peter Frampton, David Gilmour, Robert Plant, and more.
The debate over AI-generated vocals continued this week with an exclusive Variety feature article by executive music editor Jem Aswad reporting on a still-growing list of celebrated musicians uniting with Mollie Marriott, daughter of the late Steve Marriott, in objection to plans by the Marriott Estate to release “new” recordings from the legendary Rock & Roll Hall of Fame singer created with AI-powered technology. A wide range of Marriott’s close friends and fellow artists have joined together in opposition to the project, including Marriott’s former bandmates Small Faces’ Kenney Jones and Humble Pie’s Peter Frampton and Jerry Shirley, along with Robert Plant, David Gilmour, Paul Weller, Paul Rodgers, Joe Brown, Bryan Adams, Matt Sorum, Glenn Hughes, Gary Kemp, Bob Harris, and others.
As reported by Variety, Los Angeles-based independent label Cleopatra Records has engaged in discussions with the Marriott estate about completing some of his unfinished demos with the aid of AI technology, though the label ultimately plans to release the recordings in their original form “for now” via three as-yet-unscheduled compilations. Chris France, who has been managing director of Marriott’s estate since 1997, admits that while “there are no confirmed plans to use Steve Marriott’s voice on AI recordings, that does not mean a deal will not be done with one of several suitors who have made offers…I am afraid that [Mollie Marriott’s] opinions are of no consequence to me or his estate.”
Humble Pie founding member, drummer Jerry Shirley, confirmed an attempt by Cleopatra to create a version of the “Georgia on My Mind” with AI-generated vocals “by” Marriott which he could then compare the result with his memories of Marriott’s own informal renditions of the song. The AI recording was “horrible,” Shirley told Variety. “It sounded like someone trying to sound like someone trying to sound like Steve Marriott.”
“The Marriott Estate is due to release an AI solo album of old and new songs of my father, Steve,” said Mollie Marriott in a previously released official statement. “Sadly, the surviving family which comprises just my siblings Lesley, Toby, Tonya, and I, have nothing to do with the Estate as there was no will. It is run by my stepmother who was only with my father for two years prior to his death and has since been re-married.
“We, along with his bandmates of Humble Pie and Small Faces are looking to stop this album from happening as it would be a stain on my father’s name. Someone who was known as one of the greatest vocalists of our generation, with such a live and raw vocal, it would absolutely break his heart if he were alive to know this. This is only for money, not art nor appreciation.
“It is the start of a campaign I wish to lead against this sort of thing, where deceased artists have no rights and that everything natural in this world is truly dying, including creativity and the arts, as AI comes into play. It’s a sad world to behold.”
Steve Marriott who passed away in 1991 at the age of 44, was among the most gifted and iconic artists in the long-storied history of British music. In a career that spanned two decades, the singer-songwriter-guitarist co-founded two of the most acclaimed and influential bands of the 1960s and 1970s, Small Faces (with whom he was posthumously inducted in the Rock & Roll Hall of Fame) and Humble Pie. Small Faces proved as influential as any band of their extraordinary era, bridging R&B, pop, soul, psychedelia, and the primal power of what soon became known as punk rock. The band’s distinctly English sound and vision later provided a blueprint for the Britpop movement of the 1990s. Upon Small Faces’ dissolution, Marriott co-founded Humble Pie and once again left his mark on rock ‘n’ roll with a new kind of hard rock built upon riff-driven no-frills boogie and simple raw power.
Marriott was already a star by the time he co-founded Small Faces, first as a child actor performing on London’s West End as The Artful Dodger in Oliver! and then as 16-year-old leader of the popular R&B group, The Moments. Marriott came together with drummer Kenney Jones and the late bassist-songwriter Ronnie Lane as Small Faces in 1965, joined the following year by keyboardist Ian MacLagan. The band immediately ascended to the forefront of the Mod scene with their high-energy sound, fronted by Marriott’s unmistakable soul-influenced vocals. Over their short but blazing lifespan, Small Faces scored eight UK Top 10 singles, including “Whatcha Gonna Do About It” (later covered by the Sex Pistols), “Here Comes The Nice,” “Itchycoo Park,” “Lazy Sunday,” “Tin Soldier,” and the #1 hit, “All or Nothing.” Their final album, 1968’s classic Ogdens’ Nut Gone Flake, spent six weeks atop the album chart and to this day stands tall as a British psychedelic rock landmark for its singular collage of rousing lysergic R&B, folk eccentricity, and pop-art imagination.
Marriott departed Small Faces in 1969 and teamed with guitarist Peter Frampton, bassist Greg Ridley, and drummer Jerry Shirley as Humble Pie. Considered one of the first supergroups for each member’s previous involvement in other popular bands, Humble Pie instantly proved a momentous outfit, their crushing blend of hard rock, boogie, and blues providing an early example of what came to be known as heavy metal. Marriott led Humble Pie through UK and US success in a range of incarnations, encompassing a further range of influences – from country to soul – but all were hailed for their charged live performances and of course, Marriott’s irrepressible vocals and songcraft at the forefront. A variety of reunions, collaborations, and solo efforts followed Humble Pie’s initial success. Marriott carried on through the 1980s, lighting up live stages in the UK and the US with over 200 gigs each year before his death in a fire at his Essex home on April 20, 1991.
Mike Campbell & The Dirty Knobs are set to release their third album, Vagabonds, Virgins & Misfits, featuring collaborations with artists like Graham Nash and Lucinda Williams.
Featuring appearances from artists including Graham Nash, Lucinda Williams, Chris Stapleton, and fellow Heartbreaker Benmont Tench, the album is due June 14 via BMG.
In celebration of the forthcoming record, the band is debuting the album’s first single “Dare To Dream” featuring Graham Nash accompanying Campbell on vocals. The track is complemented by a Chris Phelps-directed music video shot in Tulsa, Oklahoma including footage from The Church Studio where Mudcrutch—the precursor to Tom Petty & the Heartbreakers—made their first studio recordings for Leon Russell’s Shelter Records as they made their way from Gainesville, Florida to Los Angeles in 1974.
Mike Campbell & The Dirty Knobs - Dare To Dream (feat. Graham Nash) [Official Music Video]
“‘Dare To Dream’ is a song about longing for hope,” notes Campbell. “Lord knows we need more hope in this wicked world these days. Having Graham Nash sing on it was a dream come true for me.”
Nash was a guest on “The Breakdown,” Campbell's interview show on SiriusXM's Tom Petty Radio, when “I got up the courage,” Campbell recalls, “to ask him, ‘Would you be interested in singing on one of my songs?’ He said, ‘Yeah, I'll make your song better,’” Campbell laughs. “And he did! It sounds like the Hollies.”
Campbell is on tour throughout the summer in support of the new record, kicking off the run of shows with a co-headline appearance alongside Larkin Poe at Illinois’ Off North Shore: Skokie Music Festival on June 21. See below for a complete list of dates.
In addition to Campbell, The Dirty Knobs features fellow Heartbreaker Steve Ferrone on drums, Chris Holt (Don Henley) on guitar, and Lance Morrison (Don Henley) on bass.
Campbell also appears on the forthcoming tribute record Petty Country: A Country Music Celebration of Tom Petty—out June 21 on Big Machine Records—performing the Heartbreakers’ track “Ways To Be Wicked” alongside Margo Price.
With Vagabonds, Virgins & Misfits, Campbell and the Dirty Knobs (named after tech slang for a broken amp dial) have made the most expansive and dynamic album of the Dirty Knobs’ one-of-a-kind ride. The group was founded in 2000 by Campbell as a writing and club-date project outside the Heartbreakers. The group finally got on record with 2020's Wreckless Abandon and 2022's External Combustion, both made with George Drakoulias and Martin Pradler, who return to co-produce the new album with Campbell.
Those LPs, Campbell says, were the Knobs “trying to find our way as a rock & roll band.” “Now it’s down to great songs,” adds Campbell, “the depth in the lyrics and chords.” He recalls something Petty once told him: “Tom said, ‘I love the English language. There’s so much you can do with it.’ I'm discovering that, too. Looking for rhyme schemes, the right word. At first it was a struggle. Now that door has opened,” Campbell says. “I’ve turned a corner” on Vagabonds, Virgins & Misfits. The Dirty Knobs are “still a rock band but growing into different feels.”
For more information, please visit thedirtyknobs.com.
Tour Dates
June 21—Skokie, IL—Off North Shore: Skokie Music Festival*
June 22—Nashville, IN—Brown County Music Center
June 24—Kansas City, MO—Kauffman Center for the Performing Arts
June 26—Bloomington, IL—Bloomington Center for the Performing Art
June 27—Lexington, KY—Lexington Opera House
June 29—Milwaukee, WI—Summerfest
July 1—Madison, WI—Barrymore Theatre
July 3—Des Moines, IA—Hoyt Sherman Place
July 5—St. Paul, MN—Fitzgerald Theatre
July 6—Sioux City, IA—Saturday In The Park
July 9—Cincinnati, OH—Taft Theatre
July 11—Newark, OH—Midland Theatre
July 13—Midland, MI—Midland Center for the Arts
July 14—Detroit, MI—Sound Board at MotorCity Casino Hotel
July 16—Toronto, ON—Danforth Music Hall*co-headline with Larkin Poe
Legendary engineer and musician Steve Albini has passed away due to a heart attack, according to staff at his Chicago recording studio, Electrical Audio.
Albini was a giant of alternative, independent, and underground rock music for more than three decades. He was celebrated for his abrasive guitar work for the noisy, boundary-pushing Chicago bands Big Black and Shellac, but he was best known for his engineering work on ’80s and ’90s alternative guitar music. He engineered records from Pixies and Nirvana that changed the soundscape of alt-rock, including Surfer Rosa and In Utero, as well as releases by PJ Harvey, Bush, Low, Jawbreaker, Neurosis, Veruca Salt, and countless more.
Albini’s work influenced a new generation of guitarists, who sought him out to build a noisy, raucous 2010s revival of indie-punk and prickly alt-rock. Records from Cloud Nothings, Screaming Females, METZ, Sunn O))), and Chicago’s own Meat Wave bore Albini’s sonic thumbprint: sharp, percussive guitars, pounding rhythm sections, and an aggressive, enormous guitar-forward mix, like a DIY perversion of the polished “Wall of Sound” technique. Last summer, we wrote about the stunning new record from Brooklyn black metal band Liturgy. Albini produced it.
Earlier this year, senior editor Nick Millevoi spoke with Albini for the cover of our April issue, where Albini talked in-depth about his engineering techniques, his gear selection, and how he attains his own guitar sounds. He and Shellac were preparing their first new record in ten years, To All Trains, which is scheduled to release May 17.
In honor of Steve Albini, listen to some loud, weird guitar music today.
Ungodly, sinister, and maliciously menacing guitar tones erupt from the Kentucky hardcore band’s 7-string Ibanez models, providing the soundtrack to the summer’s biggest mosh pits and nastiest breakdowns.
If hell had a guitar tone, it’d be what Knocked Loose’s Isaac Hale and Nicko Calderon conjure up from their Ibanez 7-string beasts. The band’s mission since day one has been to pummel listeners with the most extreme form of hardcore music. Over the past decade they’ve throttled through all limits, making each breakdown, each riff, each scream, and each performance outdone by the next. A more recent (and seemingly) conflicting goal has been to infect the mainstream with their brutality. Their brand-new third album, You Won't Go Before You're Supposed To, paired them with pop producer Drew Fulk (Kevin Gates, NLE Choppa, Disturbed, Lil Wayne), and over the last two years, they’ve played Coachella and Bonnaroo, partnered with hip-hop duo $uicideboy$ for a sold-out tour, and were announced as direct support for Slipknot’s 25th anniversary tour. Both of the band’s goals are being accomplished, as their sound has never been more punishing orpopular.
Before Knocked Loose’s sold-out show at Nashville’s Marathon Music Works, guitarists Isaac Hale and Nick Calderon invited PG’s Perry Bean onstage for a fresh conversation about their updated mercenary squad. During our time with the Hale and Calderon, we learn about their custom 7-string Ibanez doom brooms, Hale explains moving on from tube amps and pedalboards to Quad Cortex units and MIDI switching, and Calderon details finding his place in the band and adjusting to an extra low-B string.
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Isaac's Iceman
When we spoke with the Oldham County, Kentucky, crew five years ago, cofounding guitarist Isaac Hale was using an Ibanez RGDIX7MPB. He’s still in the Ibanez family and strictly uses 7-string instruments, but he’s gravitated to the iconic Iceman shape for his pit-provoking duties. This white custom configuration features a lighter nyatoh body, DiMarzio Fusion Edge 7 ceramic humbuckers, a single master volume knob, and a smaller neck profile. If all goes well, he uses this guitar onstage all night. He uses a custom set of D’Addario NYXL strings with the current low-B string a thick .070 gauge.
Nicko's No.1
Before joining Knocked Loose in 2020, guitarist Nicko Calderon had never played a 7-string guitar. (“It was a huge learning curve for me,” he says.) Like Isaac, if all goes as planned, Nicko will only play the above Ibanez Prestige AZ24047 all set. One of the requests Nicko had for Ibanez was to keep it simple with a single Seymour Duncan Nazgul Bridge 7-string humbucker and a lone volume knob. He goes with a D’Addario NYXL (.011–.064) 7-string set.
Beautiful Backups
If things go sideways, both Isaac and Nicko have safety nets: Hale has a custom-painted Ibanez Iron Label Iceman ICTB721, and Calderon goes with another single-pickup Ibanez Prestige AZ24047.
Less Is More
Both guitarists have downsized to the Neural DSP Quad Cortex, and they have a pair of mirrored setups for both on and offstage. Hale and Calderon are both modeling 5150 III heads, but Calderon is going with the EL34 flavoring for a slightly different sonic distinction. Core sounds are built off the 5150 IIIs and other ingredients sprinkled in throughout the set include some slight chorus, heavily modulated “evil chorus” with an added semitone above the base sound, and an Electro-Harmonix (in the rack) that provides a layered octave sound for pure chaos. The EHX Freeze pedal onstage is put in place so they can hold a note and tune underneath it. They roam the stage untethered thanks to the Shure GLXD16+ digital wireless guitar pedal system.
Bring the Pain
The two Quad Cortex units work with Seymour Duncan PowerStage 200 amps to hit Orange PPC412-C cabs onstage that are loaded with Celestion Vintage 30 speakers.
Shop Knocked Loose's Rig
Ibanez Iron Label Iceman ICTB721
Ibanez Prestige AZ24047 Electric Guitar
Seymour Duncan Nazgul High Output Bridge 7-string Humbucker Pickup
Neural DSP Quad Cortex
Electro-Harmonix Freeze
Seymour Duncan PowerStage 200
Orange PPC412-C - 240-watt 4x12" Straight Cabinet
Celestion Vintage 30 Speakers
Shure GLXD16+ Digital Wireless Guitar Pedal System
Radial ProDI 1-Channel Passive Instrument Direct Box
D'Addario NYXL1164 NYXL Nickel Wound Electric Guitar Strings -.011-.064 Regular Light, 7-String
Penned by Glenn Hughes and Joe Bonamassa, "Enlighten" explores themes of self-awareness and spiritual awakening and aims to capture the essence of the band's dynamic sound.
Black Country Communion, the renowned rock supergroup featuring Glenn Hughes, Joe Bonamassa, Jason Bonham, and Derek Sherinian, has released "Enlighten," the latest single from their much-anticipated fifth studio album, V set for release on June 14th. Now available on all major streaming platforms, "Enlighten" is a triumph of lyrical depth and musical innovation, penned by Hughes and Bonamassa.
Black Country Communion - "Enlighten" - Official Video
"Enlighten" explores themes of self-awareness and spiritual awakening, conveyed through Hughes' emotive lyrics and the intricate guitar work of Bonamassa. Resonating with the band's signature fusion of hard rock and soul-stirring blues, the song stands as a testament to Black Country Communion's growth and mutual admiration, symbolizing their commitment to producing music that is authentic, heartfelt, and reflective of their shared experiences and vast musical expertise.
Formed by some of the most respected names in rock and blues and deeply rooted in both British and American classic hard-rock and blues-rock traditions, Black Country Communion has earned a formidable reputation over the past 15 years, not only as phenomenal songwriters but as a compelling live act, renowned for their commitment to musical excellence and innovation. Released on the heels of their first U.S. concert in over 11 years, "Enlighten" serves as an exciting glimpse into the full spectrum of what the album promises, heralding a vibrant new chapter for the band and their fans globally.
For more information, please visit blackcountrycommunion.com.